Uniquely Human

John William Waterhouse, Miranda, 1916, private collection. Sotheby's.
“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
-John, Brave New World, Aldous Huxley, 1932
Introduction
In a world dominated by the smooth surface of the next AI response, those sturdy smooth columns holding up the palace of ideas, we succumb to the flood of the artificial, of the synthetic. A painful illumination of our surroundings in the messy world of danger, freedom, goodness, and sin. We fully deny the fragility of discovering failed paths, learning that only comes from traversing the difficult yet fulfilling path of human desire striving in creation: to create, to wander on a journey where our paths lead us to new and unknown places where self-realization can be discovered, where those world-changing, dangerous ideas live. That is within us, giving us the freedom to actualize ourselves, even with others on their journey of self-realization, making something uniquely human, uniquely good, uniquely troublesome, uniquely us.
“O brave new world that has such people in it.”
-Miranda, The Tempest, William Shakespeare, 1611
The disguise of the machine, of the artificial, is truly that which we have made in our own image, to be trans-human, to be, better still, in surpassing our messy, frail intelligence, the contradiction of our Frankenstein beauty. Is it progress we are after? Is it the advancement of human civilization? Ruthless efficiency? Do we destroy ourselves, our humanity, in the pursuit of optimization? Speed demons racing toward our own human annihilation? We do not know what lies ahead as we flirt with going beyond the edge of our own understanding. The black box does not reveal its secrets, but it reveals ours: tribe against tribe, when it should be human solidarity in defining limits to the artificial, regardless of tribe.
When artificial systems model us through the symbolic language we have created, it creates synthetic knowledge. Smooth and cold as ice. In 2025, the entirety of the knowledge output produced by human civilization was surpassed by AI responses and outputs. What are we then left with? How can we become even more uniquely human despite the flood, now turning into a sea in the palace of ideas? What solid ground can we place our humanity on so we are not swept away by the artificial? Once again, “all that is solid melts into air.”
Prompt
For this first Modelrecs prompt, “uniquely human,” creatives, educators, publications, and students are called–by Modelrecs–to depict, display, reference, and showcase what they interpret to be “uniquely human” through various strategies in the art of making. The intent is to have a visual conversation about the aesthetic modalities of the human: what aesthetic and affective strategies are uniquely human? By participating in this discursive activity, presented as a global exhibition feed exploring these ideas in a digital space, whether with new or previous work, across aesthetic disciplines, the participants become members of Modelrecs, a global arts and design club/platform to foster studio-like conversations that eschew the doomscrolling on other social media platforms like Instagram. Modelrecs champions expert aesthetic knowledge practices.
Not a “call for papers” but a “call for posts” on the uniquely human. #human in your caption.